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Olimu

The Deer King

Olimu is Yotalu and Sulumina’s son, a boy whose family ties cross the line between conquered Aquafa and its Zolian rulers. His survival from mad-dog disease depends on a risky experimental treatment, making him one of the patients through whom the medicine’s promise—and its bodily cost—becomes visible.

Identity and Family

Olimu is the son of Yotalu and Sulumina, and the nephew of Mazai, the king’s nephew and a celebrated falconer. Mazai’s son Izam and Olimu are cousins. The two boys stand together during the royal hunt, but their closeness carries a political tension: Olimu is the royal offspring of a conquered country, while Izam belongs to the conquerors.

Olimu is not yet old enough to take part in the hunt. He has been positioned beside his uncle, apparently to learn falconry from him. From a distance, however, both boys look pale and tense. Their shared presence makes family connection visible across the divide, without erasing the unequal histories that separate them.

The Experimental Treatment

When Hohsalle explains that his injectable medicine can help patients survive mad-dog disease, he also warns that it taxes the body and that its effects remain uncertain. In rare cases, he says, a patient could suffer a violent reaction and severe mental impairment. He has treated twelve patients without seeing that outcome, but cannot rule out the danger.

Yotalu asks Hohsalle to give the treatment to both Sulumina and Olimu. His choice is made against the alternative: if they develop the disease without receiving it, there will be no way to save them. Olimu’s treatment is thus part of a decision made by his father under conditions of grave uncertainty, rather than a risk he chooses for himself.

Illness and Recovery

The morning after Mazai’s own reaction, Olimu and Sulumina also fall into a stupor and then convulse. Their episodes are not critical. When the convulsions pass, both sink into a long, deep sleep, remaining asleep for about half a day.

On waking, Olimu and Sulumina are disoriented, as though they have returned from a journey to a distant land. Milalle tells them they will be fine and pats Olimu’s shoulder, visibly unable to contain her joy. He looks slightly embarrassed; his eyes waver as if he wants to say something, but he does not speak. His recovery provides a concrete instance of the treatment’s success, while the silence at the end leaves his response to the ordeal unspoken.

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